The Mahabharata, is the greatest, longest and one of the two major Sanskrit epics of ancient India, the other being the Ramayana. With more than 74,000 verses, plus long prose passages, or some 1.8 million words in total, it is one of the longest epic poems in the world.
It contains eighteen Parvas or sections viz., Adi Parva, Sabha Parva, Vana Parva, Virata Parva, Udyoga Parva, Bhishma Parva, Drona Parva, Karna Parva, Shalya Parva, Sauptika Parva, Stree Parva, Shanti Parva, Anushasana Parva, Asvamedha Parva, Ashramavasika Parva, Mausala Parva, Mahaprasthanika Parva and Swargarohanika Parva. Each Parva contains many sub-Parvas or subsections.
This wonderful book was composed by Sri Vyasa (Krishna Dvaipayana) who was the grandfather of the heroes of the epic. He taught this epic to his son Suka and his disciples Vaisampayana and others. King Janamejaya, son of Parikshit, the grandson of the heroes of the epic, performed a great sacrifice. The epic was recited by Vaisampayana to Janamejaya at the command of Vyasa. Later on, Suta recited the Mahabharata as was done by Vaisampayana to Janamejaya, to Saunaka and others, during a sacrifice performed by Saunaka in Naimisaranya, which is near Sitapur in Uttar Pradesh.
It is very interesting to remember the opening and closing lines of this great epic. It begins with: "Vyasa sang of the ineffable greatness and splendour of Lord Vasudeva, who is the source and support for everything, who is eternal, unchanging, self-luminous, who is the Indweller in all beings, and the truthfulness and righteousness of the Pandavas." It ends with: "With raised hands, I shout at the top of my voice; but alas, no one hears my words which can give them Supreme Peace, Joy and Eternal Bliss. One can attain wealth and all objects of desire through Dharma (righteousness). Why do not people practise Dharma? One should not abandon Dharma at any cost, even at the risk of his life. One should not relinquish Dharma out of passion or fear or covetousness or for the sake of preserving one's life. This is the Bharata Gayatri. Meditate on this daily, O man! when you retire to sleep and when you rise from your bed every morning. You will attain everything. You will attain fame, prosperity, long life, eternal bliss, everlasting peace and immortality."
IT is not an exaggeration to say that the persons and incidents portrayed in the great literature of a people influence national character no less potently than the actual heroes and events enshrined in its history. It may be claimed that the former play an even more important part in the formation of ideals, which give to character its impulse of growth.
Don Quixote, Gulliver, Pickwick, Sam Weller, Sir Roger de Coverley, Falstaff, Shylock, King Arthur, Sir Lancelot, Alice and her wanderings in Wonderland, all these and many such other creations of genius are not less real in the minds of the British people than the men and women who lived and died and lie buried in British soil.
Since literature is so vitally related to fife and character, it follows that so long as the human family remains divided into nations, the personae and events of one national literature have not an equal appeal to all, because they do not awaken the same associations. A word or phrase about Falstaff or Uncle Toby carries to English men a world of significance, which it does not to others.
Similarly, a word or phrase about Hanuman, Bhima, Arjuna, Bharata or Sita conveys to us in India, learned and illiterate alike, a significance all its own, of which an English rendering cannot convey even a fraction to outsiders, however interested in Indian mythology and folklore.